Assalamualaikum and Hello Bruneians...HOLDING AREA - This is where the extras report for work. Anytime you are not actually working on the set, you must be in the holding area. Please do not make it necessary for
the AD's to go looking for you when they might need you. You could miss your opportunity
in front of the camera.
BASE CAMP - This is where the cast and crew report for work. Basecamp is easily recognized (not in Brunei tho) by the massive trucks and trailers and equipment moving about. Please stay clear of this area.
THE SET or LOCATION - This is where that actual filming will be taking place.
BACKGROUND or EXTRAS or ATMOSPHERE - This is you! A background performer or extra does not speak lines alone. Extras can make crowd noises or be singing in a group, but cannot be scripted.
PANTOMIME or MIME - To act with only facial and bodily movements.
FEATURED EXTRA or SPECIAL EXTRA or SILENT BIT - May be used to describe an extra in a scene who is very recognizable on camera as a character or someone who is interacting directly with a primary actor, but still does not speak.
"QUIET!" - Means quiet. Whenever you are on the set there should be no talking. If you must talk to a production assistant or assistant director, please whisper and only if it is absolutely necessary.
"PICTURE'S UP!" or "STAND BY!" - Means everyone - even crew - must be absolutely quiet, we are about to roll.
"ROLLING!" - Means film is rolling; we are shooting.
"ACTION!" - This cue is usually for the primary actors or "stars" to begin the scene.
"BACKGROUND ACTION!" or sometimes, simplified to "BACKGROUND!" - This is the cue for the extras. Most of the time it will be called immediately before the actors get their "action" cue.
"CUT!" - We have stopped shooting. Wait where you are; where you ended the scene for further instructions.
"BACK TO ONE" or "FIRST POSITION" - The AD is now asking everyone to return to the point where they began the scene; their first position. We will be doing another take. Remember you should do exactly the same thing for each take unless an AD asks you specifically to change something.
"NEW DEAL" - We are ready to move on to another scene or set up. Wait for instructions. You will most likely be directed back to the holding area, but it could be that you need to change your wardrobe for another scene.
1st ASSISTANT DIRECTOR (AD) - The person running the set; keeping the crew, the actors, and the director on schedule. The 1st AD works closest to the director.
2nd ASSISTANT DIRECTOR (AD) - The person to set up the background in the scene and direct the extras. The 2nd AD also assists the 1st in scheduling, etc.
2nd 2nd ASSISTANT DIRECTOR (AD) –This person may also set background. The 2nd 2nd assists both the 1st and 2nd AD’s.
PRODUCTION ASSISTANT (PA) - The go-fers on the set. They work for the AD's.
LONDON, UK, 27th May 2009: Canon announced today it will release a firmware update for the EOS 5D Mark II allowing users to manually control exposure when shooting video. The new firmware will be available for download from 2 June 2009 on Canon Europe’s support web site.
Following the launch of the EOS 5D Mark II in September 2008, Canon’s Research and Development team has listened closely to customer feedback to develop additions to the camera’s movie recording functionality.
Allowing EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:
The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel camera; opening a multitude of new possibilities for photojournalists and news photographers. Since its launch the camera has proved its appeal to professionals working in diverse fields, from studio and wedding to nature and travel. Now, following customer feedback, Canon has improved functionality for professional video users, further unleashing the potential of the EOS 5D Mark II for cinematographers and photographers alike.
Bruneian Cheated Of $1.9M By Conmen
By Azlan Othman
Bandar Seri Begawan - Indonesian national police on Monday announced the arrest of a group of alleged con artists said to have scammed Rupiah 20 billion (US$1.9 million) from a Brunei national by impersonating a representative of a prominent Indonesian political party and asking for a donation, Jakarta Globe reported.
The group, most of whom were from South Sulawesi, had been operating since 2006 and made their living by impersonating government officials. They would make phone calls to their victims and ask them to deposit money into various bank accounts.
"Thank God we were able to apprehend them now," Inspector General Hadiatmoko, deputy chief of the National Police's criminal investigation department, told a news conference. "We have arrested 13 suspects in different places since last week." The 13 were in custody in Jakarta, he said, adding that two others, including the alleged mastermind, were still at large.
Hadiatmoko said the group compiled information about high-profile figures from Indonesia and elsewhere via the Internet, newspapers and the White and Yellow Pages. "In their latest effort, for reasons related to the election, this group started to seek out other countries," he said.
"They called at least 32 foreigners, including the one from Brunei who transferred Rp 20 billion to their account at Bank Mandiri last month."
Hadiatmoko declined to name the Bruneian or the Indonesian official whom the group had impersonated.
Indonesian presidential spokesman Andi Mallarangeng said the government had told the public to beware of people identifyingthemselves as officials and asking for money."We'll be glad if all those people are arrested, because what they're doing is a crime," he said. "We already issued (warnings) to the public, and told them to beware and be careful if anyone calls from the (State Palace) asking for money."
Hadiatmoko said the group would open bank accounts under the names of public figures to convince victims they were legitimate. In one case, he said, they opened an account in the name of Director General of Customs Anwar Supriyadi.
"They made a fake (ID card) with Anwar's name to open the account," Hadiatmoko said. With this account, the victim would believe that it was Anwar who called asking them to transfer money. -- Courtesy of Borneo Bulletin
I, like many people here, am mystified about the Brunei government official allegedly giving away US$1.9 million to a group of Indonesian conman in Jakarta. If so, whose money was it? Is it government money or it came from somewhere else? But who really is this government man?
Here then is the Jakarta Globe story about this strange episode. See if you can make head or tale of it. Now read on:
Police to Question Brunei Citizen as Witness in Scam
By Farouk Arnaz
May 27, 2009
http://www.thejakartaglobe.com/national/police-to-question-brunei-citizen-as-witness-in-scam/277690
The National Police announced on Wednesday that a Brunei citizen would be questioned as a witness in connection with a scam investigation.
The police are seeking to determine the identity of a senior Brunei government official who reportedly transferred Rp 20 billion ($1.9 million) to a bank account set up by a group of Indonesian con artists.
"We will question [the Brunei citizen] as a witness," said Insp. Gen. Hadiatmoko, deputy chief of the National Police's criminal investigation unit.
However, he did not give the name of the witness or say if a summons had already been sent.
Last week, the police arrested a group of people who reportedly posed as representatives of a prominent local political party to solicit money from foreign and Indonesian officials.
The suspects allegedly compiled information about high-profile figures from Indonesia and elsewhere via the Internet, newspapers and the White and Yellow Pages. A member of the group reportedly posed as Andi Malarangeng, a presidential spokesman, to swindle the Brunei official and other victims.
Police officials said on Tuesday that they were unable to determine the sources of the funds because two suspects, including the alleged mastermind of the scam, were still at large.
Asked if the police would enlist the help of the Financial Transaction and Report Analysis Center (PPATK) to track down the sources of the money, Hadiatmoko said, "We have not decided yet."
PPATK spokesman Natsir Kongah told the Jakarta Globe the center was ready to assist the police in tracking the flow of money and identifying other victims of the scam.
"If the police ask for our help, we will be glad to help them," Natsir said, adding that the PPATK could track down suspicious financial transactions.
"If we find any suspicious accounts, we will make an analysis and report it to the police," he said, adding that it was legal for a foreign national to transfer Rp 20 billion to an Indonesian account.
Efforts to track down the victims may also be hampered by the fact that the suspects closed the bank accounts immediately after withdrawing the money.
The recovered, Hadiatmoko said, is now being held in a frozen bank account at a Bank Mandiri branch in Cempaka Putih, North Jakarta.
There have been rumors that the Brunei official involved was Sultan Halsanah Bolkiah, but Hadiatmoko said that there was no evidence to suggest the sultan's involvement.
Under election laws, political parties are not allowed to receive donations from foreign companies or individuals, and any such violation could result in their disqualification from elections.
"We will charge the suspects with the Anti-Money Laundering Law and Article 378 of the Criminal Code on using fake identification," Hadiatmoko said.
Violations carry a maximum jail sentence of six years each.
It seems like 'somebody' is watching the drama and hopefully, with the help of dhask- attune studio, my 1st try on creating a song suitable for the drama's theme will be ok. It seems so too. So thank you and for those who are stalking Pg. Rokiah, let be reminded that it IS acting only. Pg. Rokiah is a great actress, she did it well in this drama to the point that she is being stalked, even when she goes to the restroom. Anyway, we have a big project coming and we need to have talents..new ones to fill the big shoes. If you have what it takes to be an actor/actress or trying to see whether you have the talent, email us at bruneitalents@gmail.com, our representative will contact you. 
Casting Call for Zombie Flick (23rd and 24th of May) One of the best new features in Final Cut Pro V4.0 Final Cut Pro 5 is multicam editing. This handy feature allows those do multiple camera productions to gang the clips together to make editing a breeze. In this Final Cut Pro Quick Tip, we?ll quickly look at how it works.
Final Cut Pro 5 allows you to create a multiclip that can group up to 128 camera angles together and switch between them in real time. When working in this mode in the first thing you need to do is create a multiclip.
This is relatively easy to do by highlighting the clips in the Browser window, then right clicking and selecting Make Multiclip or Make Multiclip Sequence.
more info here
Audition Guidelines
For Faculty Directed Productions
Auditions are open to all Bruneians. These guidelines are intended to provide you with important information as you consider your audition.
Prior to Auditions -- Find a copy of the script, read the play, and become familiar with the characters. Directors generally have scripts available and may provide a brief synopsis of available roles.
Dress and Appearance --
This is a job interview (of sorts) -- dress nicely.
· Select clothing that reinforces your confidence. It should be flattering and comfortable.
· Avoid bulky, loose clothing that might interfere with your movement and mask your physicallity.
· Wear comfortable, lightweight shoes rather than boots or athletic shoes.
· Your hair should be held back away from your face.
Initial Audition --
You will be asked to complete an audition form that includes past stage experience and your schedule. During your audition, the directors will be considering you in the context of the play being cast -- make the best first impression you can. The director will be listening to your vocal quality, assessing your stage presence and projection, and observing your movement. Be prepared to answer questions from the director.
Audition Material --
Students are encouraged to use a prepared monologue. Students may bring a rehearsed reading. Students without a monologue will be provided with one and given the opportunity to prepare briefly before their cold reading.
Prepared Monologue Guidelines
Content:
· Select a monologue from a modern, published play.
· Choose a character with whom you identify.
· It should be no longer than one minute in length.
· It should allow for vocal and emotional variety.
· It should allow for a variety of movement.
· Do not use self-written material; it generally does not give you an opportunity to portray a character and provides less dramatic impact than a proven play.
· Avoid excessive strong language and profanity.
Presentation:
· "Prepared" means rehearsed and fully memorized. If you do not have time to prepare the monologue completely, read it for your audition. Rehearse the reading as much as possible.
· Performance energy and stage presence are important.
· Incorporate gestures and facial expression.
· Motivated movement during the audition is desirable.
· Avoid using chairs and other props.
· Avoid sitting or kneeling on the stage.
· Use standard Language. Avoid accents and dialects, unless requested
Callbacks --
The director will use this opportunity to have auditionees read scenes from the play being cast. Directors callback auditionees based on the information from the audition form and on observations from the audition including but not limited to:
· Availability and compatibility of schedule.
· Past experiences with particular attention to those at Appalachian.
· Vocal and physical characteristics.
· Stage presence and projection.
· Appropriateness for the character being cast.
· Willingness to grow, cut, or dye hair.
Casting --
This is a highly subjective process involving artistic choices that are influenced by many factors including but not limited to:
· The factors listed above under Callbacks
· Compatibility with the ensemble in terms of physicality and interpersonal "chemistry."
· Demonstrated ability to take direction during callbacks.
· The artistic judgment of the director.
If you are not cast, please consider the number of factors that led to the director's decision. Everyone who has ever auditioned, including most directors, knows the anxiety of auditioning and the pain of not being cast. In an academic environment, most directors are willing to discuss their casting decisions with you.
